2015

Tajadura-Jiménez, N. Bianchi-Berthouze, E. Furfaro F. Bevilacqua, Sonification of Surface Tapping Changes Behavior, Surface Perception, and Emotion, IEEE MultiMedia, vol. 22, pp. 48–57, 2015.

B. Caramiaux, N. Montecchio, A. Tanaka, F. Bevilacqua, Adaptive Gesture Recognition with Variations Estimation for Interactive Systems, ACM Transactions on Interactive Intelligent Systems, in press.

S. Manitsaris, A. Glushkova, F. Bevilacqua, F. Moutarde « Capture, modeling and recognition of expert technical gestures in wheel-throwing art of pottery », ACM Journal on Computing and Cultural Heritage, in press.

Bevilacqua, N. Schnell, From Musical Interfaces To Musical Interactions, in Human Computer Confluence: Transforming Human Experience Through Symbiotic Technologies, Eds. A. Gaggioli, A. Ferscha, G. Riva, S. Dunne, I. Viaud-Delmon, Published by De Gruyter Open Ltd, Warsaw/Berlin, in press.

2014

Caramiaux, J. Françoise, N. Schnell, F. Bevilacqua, Mapping Through Listening, Computer Music Journal, 38(3), 34–48, 2014

B. Caramiaux, F. Bevilacqua, T. Bianco, N. Schnell, O. Houix, P. Susini , The Role of Sound Source Perception in Gestural Sound Description, ACM Transaction on Applied Perception, vol. 11, n° 1, 2014

B. Zamborlin, F. Bevilacqua, M. Gillies, and M. d’Inverno, Fluid gesture interaction design: applications of continuous recognition for the design of modern gestural interfaces, ACM Transactions on Interactive Intelligent Systems, 3(4), pp. 30-45, 2014

J. Françoise, N. Schnell, and F. Bevilacqua. MaD: Mapping by Demonstration for Continuous Sonification. In ACM SIGGRAPH 2014 Emerging Technologies, SIGGRAPH ’14, pages 16:1—-16:1, Vancouver, BC, Canada, 2014.

J. Françoise, N. Schnell, R. Borghesi, and F. Bevilacqua, Probabilistic Models for Designing Motion and Sound Relationships. In Proceedings of the 2014 International Conference on New Interfaces for Musical Expression (NIME’14), 2014.

Françoise, S. Fdili Alaoui, T. Schiporst, F. Bevilacqua, Vocalizing dance movement for interactive sonification of Laban effort factors, Proceedings of the 2014 conference on Designing interactive systems, 2014

Boyer, Q. Pyanet, S. Hanneton, F. Bevilacqua, Learning Movement Kinematics with a Targeted Sound, Lecture Notes in Computer Science, Vol 8905, 218-233,, 2014

Houix, N. Misdariis, P. Susini, F. Bevilacqua, F. Gutierrez, Sonically Augmented Artifacts: Design Methodology Through Participatory Workshops,  Lecture Notes in Computer Science, Vol 8905, 20-4, 2014

2013

E. O. Boyer, B. M. Babayan, F. Bevilacqua, M. Noisternig, O. Warusfel, A. Roby-Brami, S. Hanneton, and I. Viaud-Delmon, From ear to hand: the role of the auditory-motor loop in pointing to an auditory source, Frontiers in Computational Neuroscience, vol. 7, iss. 26, 2013

J. Françoise, N. Schnell, F. Bevilacqua, A Multimodal Probabilistic Model for Gesture-based Control of Sound Synthesis, Proceedings of the 21st ACM international conference on Multimedia (MM’13), Barcelona, 2013

J. Françoise, N. Schnell, F. Bevilacqua , Gesture-based Control of Physical Modeling Sound Synthesis: a Mapping-by-Demonstration Approach, Proceedings of the 21st ACM international conference on Multimedia (MM’13), Barcelona, 2013

F Bevilacqua, N Schnell, N Rasamimanana, J Bloit, E Flety, B Caramiaux, J. Francoise, E. Boyer, De-Mo: designing action-sound relationships with the mo interfaces, CHI’13 EA on Human Factors in Computing Systems, 2907-2910, 2013

F Bevilacqua, S Fels, AR Jensenius, MJ Lyons, N Schnell, A Tanaka, SIG NIME: music, technology, and human-computer interaction, CHI’13EA on Human Factors in Computing Systems, 2529-2532, 2013

B Caramiaux, F Bevilacqua, A Tanaka, Beyond recognition: using gesture variation for continuous interaction, CHI’13 EA on Human Factors in Computing Systems, 2109-2118, 2013

S Fdili Alaoui, C Jacquemin, F Bevilacqua, Chiseling bodies: an augmented dance performance, CHI’13 EA on Human Factors in Computing Systems, 2915-2918, 2013

D Fober, S Letz, Y Orlarey, F Bevilacqua, Programming Interactive Music Scores with INScore. In Proceedings of the Sound and Music Computing Conference 2013 (pp. 185-190).

E Furfaro, N Berthouze, F Bevilacqua, A Tajadura-Jimenez, Sonification of surface tapping: Influences on behavior, emotion and surface perception. In Interactive Sonification Workshop (ISon 2013), 2013.

J. Françoise, I. Lallemand, T. Artières, F. Bevilacqua, N. Schnell, D. Schwarz, « Perspectives pour l’apprentissage interactif du couplage geste-son », Actes des Journées d’Informatique Musicale (JIM 2013), paris, 2013

2012

F Bevilacqua, F Baschet, S Lemouton,The Augmented String Quartet: Experiments and Gesture Following, Journal of New Music Research 41 (1), 103-119, 2012

S. Fdili Alaoui, F. Bevilacqua, B. Bermudez, C. Jacquemin, Dance Interaction with physical model visualization based on movement qualities, International Journal of Arts and Technologies, vol. 4, n° 6, 2013

B Caramiaux, MM Wanderley, F Bevilacqua, Segmenting and Parsing Instrumentalists’ Gestures, Journal of New Music Research 41 (1), 13-29,2012

T Bianco, V Freour, I Cossette, F Bevilacqua, R Caussé, Measures of Facial Muscle Activation, Intra-oral Pressure and Mouthpiece Force in Trumpet Playing, Journal of New Music Research 41 (1), 49-65,2012

N. Rasamimanana, F. Bevilacqua, J. Bloit, N. Schnell, E. Fléty, A. Cera, U. Petrevski, J.-L. Frechin, The urban musical game: using sport balls as musical interfaces, CHI 2012, extended abstracts, pp 1027-1030, 2012

S. Fdili Alaoui, B. Caramiaux, M. Serrano, F. Bevilacqua, Movement Qualities as Interaction Modality, Designing Interactive Systems (DIS’2012), Newcastle, 2012

J. Françoise, B. Caramiaux, F. Bevilacqua, A Hierarchical Approach for the Design of Gesture-to-Sound Mappings, Conference on Sound and Music Computing, Copenhague, 2012

M. Kimura, N. Rasamimanana, F. Bevilacqua, N. Schnell, B. Zamborlin, E. Fléty, Extracting Human Expression For Interactive Composition with the Augmented Violin, International Conference on New Interfaces for Musical Expression (NIME 2012), 2012

I Viaud-Delmon, J Mason, N Karim, F Bevilacqua, O Warusfel, A Sounding Body in a Sounding Space: the Building of Space in Choreography–Focus on Auditory-motor Interactions, Dance Research 29, 431-447, 2012

2011

Bevilacqua, F., Schnell, N., and Alaoui, S. F. (2011). Gesture capture: Paradigms in interactive music/dance systems. In Klein, G. and Noeth, S., editors, Emerging Bodies, pages 183–193. transcript Verlag.

F. Bevilacqua, N. Schnell, N. Rasamimanana, B. Zamborlin, F. Guedy, Online Gesture Analysis and Control of Audio Processing, Musical Robots and Interactive Multimodal Systems, Springer Tracts in Advanced Robotics, Volume 74, Springer Verlag, 2011.

N. Rasamimanana, F. Bevilacqua, N. Schnell, F. Guedy,, E. Come Maestracci, B. Zamborlin, JL. Frechin,U. Petrevski,« Modular Musical Objects Towards Embodied Control Of Digital Music », Tangible Embedded and Embodied Interaction, 2011

N. Schnell, F. Bevilacqua, F. Guédy, N. Rasamimanana, Playing and Replaying – Sound, Gesture and Music Analysis and Re-Synthesis for the Interactive Control and Re-Embodiment of Recorded Music, in H. von Loesch and S. Weinzierl (Eds.), Gemessene Interpretation – Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen, Klang und Begriff, Volume 4, Schott Verlag, Mainz, 2011.

N. Schnell, F. Bevilacqua, N. Rasamimanana, J. Bloit, F. Guedy, E. Flety, Playing the MO – Gestural Control and Re-Embodiment of Recorded Sound and Music, International Conference on New Interfaces of Musical Expression (NIME), Oslo, June 2011.

B. Caramiaux, F. Bevilacqua, N. Schnell,Sound Selection by Gestures, International Conference on New Interfaces for Musical Expression (NIME), Oslo, June 2011.

B. Caramiaux, P. Susini, T. Bianco, F. Bevilacqua, O. Houix, N. Schnell, N. Misdariis, Gestural Embodiment of Environmental Sounds: an Experimental Study, International Conference on New Interfaces for Musical Expression (NIME), Oslo, June 2011.

B. Bermudez, S. DeLahunta, M. Hoogenboom, C. Ziegler, F. Bevilacqua, S. Fdili Alaoui « The Double Skin/Double Mind Interactive Installation », The Journal for Artistic Research (JAR), Janvier, 2011 research catalogue

2010

Bevilacqua, F., Zamborlin, B., Sypniewski, A., Schnell, N., Guédy, F., Rasamimanana, N. « Continuous realtime gesture following and recognition », In Embodied Communication and Human-Computer Interaction, volume 5934 of Lecture Notes in Computer Science, pages 73–84. Springer Berlin / Heidelberg, 2010.

Bloit, J. Rasamimanana, N., Bevilacqua, F., Modeling and segmentation of audio descriptor profiles with Segmental Models, Pattern Recognition Letters 31 (12), 2010

Bianco, T., Fréour, V., Rasamimanana, N., Maniatakos, F., Bevilacqua, F., Causse, R. ,« Parametric modeling of gestural co-articulation effects in music performance », Lecture Notes in Computer Science (LNCS) volume 5934, Springer Verlag, 2010.

B. Caramiaux, F. Bevilacqua, N. Schnell « Towards a Gesture-Sound Cross-Modal Analysis », Lecture Notes in Computer Science (LNCS) volume 5934, Springer Verlag, 2010.

Caramiaux, B., Bevilacqua, F., Schnell, N. Analysing Gesture and Sound Similarities with a HMM-based Divergence Measure. Proceeding of the Sound and Music Computing conference (SMC 2010), Barcelona, Spain, 2010

T. Bianco, M. Wanderley, F. Bevilacqua, Mimicry of tone production: results from a pilot experiment , Sound and Music Computing Conference (SMC 2010), Barcelona, Spain, 2010

G. Leslie, D. Schwarz, O. Warusfel, F. Bevilacqua, B. Zamborlin, P. Jodlowski, N.Schnell, « Grainstick: A Collaborative, Interactive Sound Installation », International Computer Music Conference (ICMC), New York, 2010

Bevilacqua F., Zamborlin B., Rasamimanana N., Schnell N., Contrôle gestuel continu de médias sonores et visuelsForum on tactile and gestural interaction, Lille, 2010.

2009

N. Rasamimanana, F. Kaiser, F. Bevilacqua « Perspectives on gesture-sound relationships informed from acoustic instrument studies », Organised Sound, vol. 14, n° 2, 2009

S. Dahl, Bevilacqua, F., N. Rasamimanana, R. Bresin, M. Clayton, L. Leante «Gesture in Performance», Musical Gestures. Sound, Movement, and Meaning, (R. I Godoy and M. Leman editors), Routledge, 2009

Bloit, J. Rasamimanana, N., Bevilacqua, F. « Towards morphological sound description using segmental models », International Conference on Digital Audio Effects DAFx, Milan, Italie, 2009

N. Rasamimanana, D. Bernardin, M. Wanderley, and F. Bevilacqua. String bowing gestures at varying bow stroke frequencies: A case study. In Gesture in Human-Computer Interaction and Simulation, Lecture Notes In Artificial Intelligence, Vol. 5085, p216-226, Springer-Verlag, Berlin, Heidelberg, 2009.

G. Leslie, D. Schwarz, O. Warusfel, F. Bevilacqua, P. Jodlowski « Wavefield synthesis for interactive sound installations », 127th AES Convention, New-York, 2009

2008

N. Rasamimanana and F. Bevilacqua. Effort-based analysis of bowing movements: evidence of anticipation effects, Journal of New Music Research, vol. 37, n° 4, 2008.

N. Rasamimanana, F. Guedy, N. Schnell, J.-P. Lambert, F. Bevilacqua. Three pedagogical scenarios using the Sound and Gesture Lab, in Proceedings of the 4th i-Maestro Workshop on Technology-Enhanced Music Education, Genova, Italy, pp. 5-10, 2008.

Koerselman T., Larkin O., Ong B., Leroy N., Lambert J.-P., Schwarz D., Guédy F., Schnell, N., Bevilacqua, F., Ng K., “SDIF Integration in i-Maestro Gesture Tools”. 4th i-Maestro Workshop on Technology-Enhanced Music Education,: Juin 2008, p. 15-20

2007

F. Bevilacqua, Momentary Notes on Capturing Gestures in Capturing Intentions, Editors EG/PC and the Amsterdam School fo the Arts, 2007.

S. deLahunta and F. Bevilacqua, “Sharing Descriptions of Movement », International Journal of Performance and Digital Media. Vol 3, No 1.

F. Bevilacqua, F. Guédy, N. Schnell, E. Fléty, N. Leroy,  » Wireless sensor interface and gesture-follower for music pedagogy« , Proc. of the International Conference of New Interfaces for Musical Expression (NIME 07), p 124-129, 2007

Guédy, F., Leroy, N., Bevilacqua, F., Grosshauser, T., Schnell, N., « Pedagogical experimentation using the Sound and Gesture Lab », 3rd I-MAESTRO Workshop, Barcelone.

Ng K., Larkin O., Koerselman T., Ong B., Schwarz D., Bevilacqua F., “The 3D Augmented Mirror: Motion Analysis for String Practice Training”. International Computer Music Conference (ICMC). Copenhagen, 2007, vol. II, p. 53-56

Viaud-Delmon I., Bresson J., Pachet F., Bevilacqua F., Roy P., Warusfel O., Eartoy : interactions ludiques par l’audition. Journées d’Informatique Musicale – JIM’07. Lyon : 2007

2006

F. Bevilacqua, N. Rasamimanana, N. Schnell « Interfaces gestuelles, captation du mouvement et création artistique »,L’inouï #2. Revue de l’Ircam, (Editions Léo Scheer, Berlin), 2006

N. Rasamimanana, E. Fléty, F. Bevilacqua « Gesture Analysis of Violin Bow Strokes », Gesture in Human-Computer Interaction and Simulation, Lecture Notes in Computer Science, Vol. 3881, 145-155, 2006

F. Bevilacqua, N. Rasamimanana, E. Fléty, S. Lemouton, F. Baschet « The augmented violin project: research, composition and performance report », 6th International Conference on New Interfaces for Musical Expression (NIME 06), Paris, 2006

N. Leroy, E. Fléty, F. Bevilacqua « Reflective Optical Pickup For Violin », 6th International Conference on New Interfaces for Musical Expression, 2006

E. Schoonderwaldt, N. Rasamimanana, F. Bevilacqua « Combining accelerometer and video camera: Reconstruction of bow velocity profiles », 6th International Conference on New Interfaces for Musical Expression, 2006

Schnell N., Bevilacqua F., Schwarz D., Rasamimanana N., Guédy F., Technology and Paradigms to Support the Learning of Music Performance. 2nd i-Maestro Workshop on Technology Enhanced Music Education. Leeds : 2006

2005

F. Bevilacqua, R. Muller, N. Schnell « MnM: a Max/MSP mapping toolbox », New Interfaces for Musical Expression, Vancouver, 2005

F. Bevilacqua, R. Muller « A Gesture follower for performing arts », Gesture Workshop, 2005

N. Schnell, R. Borghesi, D. Schwarz, F. Bevilacqua, R. Müller «FTM — Complex data structures for Max», International Computer Music Conference (ICMC), Barcelona, 2005

2001-2004

F. Bevilacqua, E. Fléty « Captation et analyse du mouvement pour l’interaction entre danse et musique », Rencontres Musicales Pluridisciplinaires – le corps & la musique, Lyon, 2004

E. Fléty, N. Leroy, J. Ravarini, F. Bevilacqua « Versatile sensor acquisition system utilizing Network Technology », International Conference on New Interfaces for Musical Expression (NIME), Hamamatsu, 2004

C. Dobrian and F. Bevilacqua, “Gestural Control of Music Using the Vicon 8 Motion Capture System”, Proceedings of the New Interfaces for Musical Expression 2003 Conference, Montréal, Quebec, Canada.

F. Bevilacqua, J.Ridenour, and David J. Cuccia, “Mapping Music to Gesture: A study using 3D motion capture data”, Proceeding of the Workshop/Symposium on Sensing and Input for Media-centric Systems, Santa Barbara CA, 2002.

F. Bevilacqua, L. Naugle and I. Valverde, “Virtual dance and music environment using motion capture” Proceeding of the IEEE – Multimedia Technology And Applications Conference, Irvine CA, 2001.