[bibtex file=http://imtr.ircam.fr/imtr/images/Frederic_bevilacqua.bib group=year group_order=desc]
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http://frederic-bevilacqua.net/wp-content/uploads/2014/02/frederic_bevilacqua.bib
2014
- B. Caramiaux, F. Bevilacqua, T. Bianco, N. Schnell, O. Houix, and P. Susini, “The Role of Sound Source Perception in Gestural Sound Description,” ACM Transaction on Applied Perception, 2014.
[BibTeX] - B. Zamborlin, F. Bevilacqua, M. Gillies, and M. d’Inverno, “B. Zamborlin, F. Bevilacqua, M. Gillies, and M. d’Inverno, Fluid gesture interaction design: applications of continuous recognition for the design of modern gestural interfaces, in press.,”ACM Transactions on Interactive Intelligent Systems,, vol. 4-3, pp. 30-45, 2014.
[BibTeX]
2013
- B. Caramiaux, F. Bevilacqua, and A. Tanaka, “Beyond recognition: using gesture variation for continuous interaction,” inCHI EA ’13: CHI ’13 Extended Abstracts on Human Factors in Computing Systems, 2013, pp. 2109-2118.
[BibTeX] - S. Fdili Alaoui, F. Bevilacqua, B. Bermudez, and C. Jacquemin, “Dance Interaction with physical model visualization based on movement qualities,” International Journal of Arts and Technologies, vol. 4-6, pp. 357-387, 2013.
[BibTeX] - S. Fdili Alaoui, C. Jacquemin, and F. Bevilacqua, “Chiseling bodies: an augmented dance performance,” in CHI’13 Extended Abstract on Human Factors in Computing Systems, 2013, pp. 2915-2918.
[BibTeX] - J. Françoise, I. Lallemand, T. Artières, F. Bevilacqua, N. Schnell, and D. Schwarz, “Perspectives pour l’apprentissage interactif du couplage geste-son,” in Actes des Journées d’Informatique Musicale (JIM 2013), paris, France, 2013.
[BibTeX] [Download PDF] - J. Françoise, N. Schnell, and F. Bevilacqua, “A Multimodal Probabilistic Model for Gesture-based Control of Sound Synthesis,” in Proceedings of the 21st ACM international conference on Multimedia (MM’13), Barcelona, Spain, 2013.
[BibTeX] [Download PDF] - J. Françoise, N. Schnell, and F. Bevilacqua, “Gesture-based Control of Physical Modeling Sound Synthesis: a Mapping-by-Demonstration Approach,” in Proceedings of the 21st ACM international conference on Multimedia (MM’13), Barcelona, Spain, 2013.
[BibTeX] [Download PDF] - E. O. Boyer, B. M. Babayan, F. Bevilacqua, M. Noisternig, A. Roby-Brami, S. Hanneton, and I. Viaud-Delmon, “From ear to hand: the role of the auditory-motor loop in pointing to an auditory source,” Frontiers In Computational Neuroscience, vol. 26-7, 2013.
[BibTeX] [Download PDF] - E. O. Boyer, Q. Pyanet, S. Hanneton, and F. Bevilacqua, “Guiding Motion using a Sound Target,” in 10th International Symposium on Computer Music Multidisciplinary Research (CMMR) Sound, Music and Motion, Marseille, France, 2013, pp. 176-189.
[BibTeX] [Download PDF] - E. O. Boyer, F. Bevilacqua, F. Phal, and S. Hanneton, “Low-cost motion sensing of table tennis players for real time feedback,” in 13th International Table Tennis Federation Sports Science Congress, Paris, France, 2013.
[BibTeX] - E. O. Boyer, F. Bevilacqua, F. Phal, and S. Hanneton, “Low-cost motion sensing of table tennis players for real time feedback,” International Journal of Table Tennis Sciences, vol. 8, 2013.
[BibTeX] [Download PDF] - E. O. Boyer, L. Colin Malagon, F. Bevilacqua, P. Susini, and S. Hanneton, “Continuous Sound Feedback in Tracking Tasks,” inMultisensory Motor Behavior: Impact of Sound, Hannover, Germany, 2013.
[BibTeX] [Download PDF] - E. Furfaro, N. Berthouze, F. Bevilacqua, and A. Tajadura-Jiménez, “Sonification of Surface Tapping: Influences on Behavior, Emotion and Surface Perception,” in Interactive Sonification Workshop (ISon 2013), 2013.
[BibTeX] - F. Bevilacqua, N. Schnell, N. Rasamimanana, J. Bloit, E. Fléty, B. Caramiaux, J. Françoise, and E. O. Boyer, “De-Mo: designing action-sound relationships with the mo interfaces,” in CHI’13, 2013, pp. 2907-2910.
[BibTeX] - F. Bevilacqua, S. Fels, A. R. Jensenius, M. J. Lyons, N. Schnell, and A. Tanaka, “SIG NIME: music, technology, and human-computer interaction,” in CHI’13 EA on Human Factors in Computing Systems, 2013, pp. 2529-2532.
[BibTeX] - F. Bevilacqua, A. Vanzandt-Escobar, N. Schnell, E. O. Boyer, N. Rasamimanana, S. Hanneton, and A. Roby-Brami, “Sonification of the Coordination of Arm Movements,” in Multisensory Motor Behavior: Impact of Sound, Hannover, Germany, 2013.
[BibTeX]
2012
- T. Bianco, V. Freour, I. Cossette, F. Bevilacqua, and R. Caussé, “Measures of facial muscle activation, intraoral pressure and mouthpiece force in trumpet playing,” Journal of New Music Research, 2012.
[BibTeX] - B. Caramiaux, M. M. Wanderley, and F. Bevilacqua, “Segmenting and Parsing Instrumentalists’ Gestures,” Journal of New Music Research, vol. 1-41, pp. 13-29, 2012.
[BibTeX] [Download PDF] - S. Fdili Alaoui, B. Caramiaux, M. Serrano, and F. Bevilacqua, “Movement Qualities as Interaction Modality,” in Designing Interactive Systems (DIS’2012), Newcastle, UK, 2012.
[BibTeX] [Download PDF] - J. Françoise, B. Caramiaux, and F. Bevilacqua, “A Hierarchical Approach for the Design of Gesture-to-Sound Mappings,” inSound and Music Computing, Copenhague, Danemark, 2012.
[BibTeX] [Download PDF] - M. Kimura, N. Rasamimanana, F. Bevilacqua, N. Schnell, B. Zamborlin, and E. Fléty, “Extracting Human Expression For Interactive Composition with the Augmented Violin,” in International Conference on New Interfaces for Musical Expression (NIME 2012), 2012.
[BibTeX] [Download PDF] - F. Bevilacqua, F. Baschet, and S. Lemouton, “The Augmented String Quartet: Experiments and Gesture Following,” Journal of New Music Research, vol. 1-41, pp. 103-119, 2012.
[BibTeX] [Download PDF] - N. Rasamimanana, F. Bevilacqua, J. Bloit, N. Schnell, E. Fléty, A. Cera, U. Petrevski, and J. Frechin, “The urban musical game: using sport balls as musical interfaces,” in CHI EA ’12 Proceedings of the 2012 ACM annual conference on Human Factors in Computing Systems, 2012.
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2011
- B. Caramiaux, P. Susini, T. Bianco, F. Bevilacqua, O. Houix, N. Schnell, and N. Misdariis, “Gestural Embodiment of Environmental Sounds: an Experimental Study,” in New Interfaces for Musical Expression (NIME), 2011.
[BibTeX] [Download PDF] - B. Caramiaux, F. Bevilacqua, and N. Schnell, “Sound Selection by Gestures,” in New Interfaces for Musical Expression (NIME), 2011.
[BibTeX] [Download PDF] - B. Bermudez, S. DeLahunta, M. Hoogenboom, C. Ziegler, F. Bevilacqua, S. Fdili Alaoui, and B. Meneses Gutierrez, “The Double Skin/Double Mind Interactive Installation,” The Journal for Artistic Research (JAR), 2011.
[BibTeX] - N. Schnell, F. Bevilacqua, F. Guédy, and N. Rasamimanana, “Playing and Replaying – Sound, Gesture and Music Analysis and Re-Synthesis for the Interactive Control and Re-Embodiment of Recorded Music,” in Klang und Begriff: Gemessene Interpretation – Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen, S. W. Heinz von Loesch, Ed., Mainz, Allemagne: Schott Verlag, 2011.
[BibTeX] - N. Schnell, F. Bevilacqua, N. Rasamimanana, J. Bloit, F. Guédy, and E. Fléty, “Playing the MO – Gestural Control and Re-Embodiment of Recorded Sound and Music,” in NIME, Oslo, Norvege, 2011.
[BibTeX] [Download PDF] - F. Bevilacqua, N. Schnell, and S. Fdili Alaoui, “Gesture capture: Paradigms in interactive music/dance systems,” in Emerging Bodies, G. Klein and S. Noeth, Eds., transcript Verlag, 2011, pp. 183-193.
[BibTeX] [Download PDF] - F. Bevilacqua, N. Schnell, N. Rasamimanana, B. Zamborlin, and F. Guédy, “Online Gesture Analysis and Control of Audio Processing,” in Musical Robots and Interactive Multimodal Systems: Springer Tracts in Advanced Robotics Vol 74, J. Solis and K. C. Ng, Eds., Springer Verlag, 2011, pp. 127-142.
[BibTeX] [Download PDF] - N. Rasamimanana, F. Bevilacqua, N. Schnell, F. Guédy, C. Maestracci, E. Fléty, B. Zamborlin, U. Petrevsky, and J. Frechin, “Modular Musical Objects Towards Embodied Control Of Digital Music,” in Tangible Embedded and Embodied Interaction, 2011.
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2010
- J. Bloit, N. Rasamimanana, and F. Bevilacqua, “Modeling and segmentation of audio descriptor profiles with Segmental Models,” Pattern Recognition Letters, 2010.
[BibTeX] [Download PDF] - T. Bianco, V. Freour, N. Rasamimanana, F. Bevilacqua, and R. Caussé, “On gestural variation and coarticulation effects in sound control,” in Gesture in Embodied Communication and Human-Computer Interaction: Lecture Notes in Computer Science (LNCS) volume 5934, Springer Verlag, 2010, pp. 134-145.
[BibTeX] [Download PDF] - T. Bianco, M. M. Wanderley, and F. Bevilacqua, “Mimicry of tone production: results from a pilot experiment,” in Sound and Music Computing Conference, Barcelona, Spain, 2010.
[BibTeX] [Download PDF] - B. Caramiaux, F. Bevilacqua, and N. Schnell, “Towards a Gesture-Sound Cross-Modal Analysis,” in Gesture in Embodied Communication and Human-Computer Interaction: LNAI 5934, Springer Verlag, 2010, pp. 158-170.
[BibTeX] [Download PDF] - B. Caramiaux, F. Bevilacqua, and N. Schnell, “Study on Gesture-Sound Similarity,” in Music and Gesture, Montreal, Canada, 2010.
[BibTeX] [Download PDF] - B. Caramiaux, F. Bevilacqua, and N. Schnell, “Analysing Gesture and Sound Similarities with a HMM-based Divergence Measure,” in Sound and Music Computing (SMC2010), 2010.
[BibTeX] [Download PDF] - B. Caramiaux, F. Bevilacqua, B. Zamborlin, and N. Schnell, “Mimicking Sound with Gesture as Interaction Paradigm,” , 2010.
[BibTeX] [Download PDF] - B. Caramiaux, F. Bevilacqua, and N. Schnell, “Analysing Gesture and Sound Similarities with a HMM-based Divergence Measure,” in Sound and Music Computing, Barcelona, Spain, 2010.
[BibTeX] [Download PDF] - F. Bevilacqua, B. Zamborlin, A. Sypniewski, N. Schnell, F. Guédy, and N. Rasamimanana, “Continuous realtime gesture following and recognition,” in Gesture in Embodied Communication and Human-Computer Interaction: Lecture Notes in Computer Science (LNCS) volume 5934, Springer Verlag, 2010, pp. 73-84.
[BibTeX] [Download PDF] - F. Bevilacqua, B. Zamborlin, N. Rasamimanana, and N. Schnell, “Contrôle gestuel continu de médias sonores et visuels,” inForum on tactile and gestural interaction, Lille, France, 2010.
[BibTeX] [Download PDF] - F. Bevilacqua, “Following movements in interactive dance installations,” in Kinesthetic Empathy: Concepts and Contexts, Manchester, UK, 2010.
[BibTeX] [Download PDF]
2009
- J. Bloit, N. Rasamimanana, and F. Bevilacqua, “Towards morphological sound description using segmental models,” inDAFX, Milan, Italie, 2009.
[BibTeX] [Download PDF] - T. Bianco, V. Freour, N. Rasamimanana, F. Maniatakos, and F. Bevilacqua, “Parametric modeling of gestural co-articulation effects in music performance,” in The 8th International Gesture Workshop, 2009.
[BibTeX] - S. Dahl, F. Bevilacqua, N. Rasamimanana, R. Bresin, M. Clayton, L. Leante, and I. Poggi, “Gesture in Performance,” in Musical Gestures: Sound, Movement, and Meaning, R. I Godoy and M. Leman, 2009.
[BibTeX] - S. Fdili Alaoui, C. Jacquemin, and F. Bevilacqua, “Reconnaissance du geste expert et contrôle de systèmes complexes : cas de l’interface entre le geste dansé et le rendu graphique par modèle physique,” in JJCAAS (Journées des Jeunes Chercheurs en Acoustique, Auditon et Signal, Marseille, France, 2009.
[BibTeX] [Download PDF] - F. Bevilacqua, B. Zamborlin, A. Sypniewski, N. Schnell, and F. Guédy, “Continuous realtime gesture following and recognition,” in The 8th International Gesture Workshop, 2009.
[BibTeX] [Download PDF] - N. Rasamimanana, F. Kaiser, and F. Bevilacqua, “Perspectives on gesture-sound relationships informed from acoustic instrument studies,” Organised Sound, vol. 14-2, pp. 208-216, 2009.
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2008
- N. Rasamimanana, F. Guédy, N. Schnell, J. Lambert, and F. Bevilacqua, “Three Pedagogical Scenarios using the Sound and Gesture Lab,” in 4th i-Maestro Workshop on Technology Enhanced Music Education, 2008.
[BibTeX] - N. Rasamimanana and F. Bevilacqua, “Effort-based Analysis of Bowing Movements: Evidence of Anticipation Effects,”Journal of New Music Research, vol. 37-4, pp. 339-351, 2008.
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2007
- S. DeLahunta and F. Bevilacqua, “Sharing Descriptions of Movement,” International Journal of Performance and Digital Media, vol. 1-3, 2007.
[BibTeX] [Download PDF] - K. Ng, O. Larkin, T. Koerselman, B. Ong, D. Schwarz, and F. Bevilacqua, “The 3D Augmented Mirror: Motion Analysis for String Practice Training,” in International Computer Music Conference (ICMC), Copenhagen, Denmark, 2007, pp. 53-56.
[BibTeX] - F. Guédy, N. Leroy, F. Bevilacqua, T. Grosshauser, and N. Schnell, “Pedagogical experimentation using the Sound and Gesture Lab,” in 3rd i-Maestro Workshop on Technology-Enhanced Music Education, Barcelone, Espagne, 2007.
[BibTeX] - F. Bevilacqua, F. Guédy, E. Fléty, N. Leroy, and N. Schnell, “Wireless sensor interface and gesture-follower for music pedagogy,” in International Conference on New Interfaces for Musical Expression, New York, USA, 2007.
[BibTeX] [Download PDF] - F. Bevilacqua, “Momentary notes on capturing gestures,” in capturing intentions, S. deLahunta, Ed., Emio Greco/PC and the Amsterdam School fo the Arts, 2007.
[BibTeX] - N. Rasamimanana, D. Bernardin, M. M. Wanderley, and F. Bevilacqua, “String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study (abstract),” in Gesture Workshop 2007, 2007.
[BibTeX] [Download PDF] - N. Rasamimanana, D. Bernardin, M. M. Wanderley, and F. Bevilacqua, “String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study,” in Advances in Gesture-Based Human-Computer Interaction and Simulation, Springer Verlag, 2007.
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2006
- E. Schoonderwaldt, N. Rasamimanana, and F. Bevilacqua, “Combining accelerometer and video camera: Reconstruction of bow velocity profiles,” in 6th International Conference on New Interfaces for Musical Expression, 2006.
[BibTeX] [Download PDF] - N. Schnell, F. Bevilacqua, D. Schwarz, N. Rasamimanana, and F. Guédy, “Technology and Paradigms to Support the Learning of Music Performance,” in 2nd i-Maestro Workshop on Technology Enhanced Music Education, Leeds, Royaumes Unis, 2006.
[BibTeX] - F. Bevilacqua, N. Rasamimanana, E. Fléty, S. Lemouton, and F. Baschet, “The augmented violin project: research, composition and performance report,” in 6th International Conference on New Interfaces for Musical Expression (NIME 06), Paris, 2006, pp. 402-406.
[BibTeX] [Download PDF] - F. Bevilacqua, N. Rasamimanana, and N. Schnell, “Interfaces gestuelles, captation du mouvement et création artistique,” inL’inouï #2: Revue de l’Ircam, Editions Léo Scheer, 2006.
[BibTeX] - N. Rasamimanana, E. Fléty, and F. Bevilacqua, “Gesture Analysis of Violin Bow Strokes,” in Lecture Notes in Computer Science, Vol. 3881: Gesture in Human-Computer Interaction and Simulation: 6th International Gesture Workshop, GW 2005, Berder Island, France, May 18-20, 2005, Revised Selected Papers, J. K. Sylvie Gibet Nicolas Courty, Ed., Springer Berlin / Heidelberg, 2006, pp. 145-155.
[BibTeX] [Download PDF] - N. Rasamimanana and F. Bevilacqua, “Studies of bowing gesture and applications to music performance,” in International Conference on Music and Gesture, 2006.
[BibTeX]
2005
- N. Schnell, R. Borghesi, D. Schwarz, F. Bevilacqua, and R. Müller, “FTM — Complex data structures for Max,” in International Computer Music Conference (ICMC), Barcelona, Spain, 2005.
[BibTeX] [Download PDF] - F. Bevilacqua, R. Müller, and N. Schnell, “MnM: a Max/MSP mapping toolbox,” in New Interfaces for Musical Expression, Vancouver, 2005, pp. 85-88.
[BibTeX] [Download PDF] - F. Bevilacqua and R. Müller, “A Gesture follower for performing arts,” in Gesture Workshop, 2005.
[BibTeX] [Download PDF] - N. Rasamimanana, E. Fléty, and F. Bevilacqua, “Gesture Analysis of Violin Bow Strokes (abstract),” in Gesture Workshop, 2005.
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2004
- E. Fléty, N. Leroy, J. Ravarini, and F. Bevilacqua, “Versatile sensor acquisition system utilizing Network Technology,” inInternational Conference on New Interfaces for Musical Expression (NIME), Hamamatsu, Japan, 2004.
[BibTeX] [Download PDF] - F. Bevilacqua and E. Fléty, “Captation et analyse du mouvement pour l’interaction entre danse et musique,” in Rencontres Musicales Pluridisciplinaires – le corps & la musique, Lyon, France, 2004.
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